Category Archives: Archive 2011 and before

RIANGrotesque

During Spring 2011 I received my first type design offer. It came from Ilya Ruderman who was just appointed as RIA Novosti‘s art director, new position that had never existed before.
 Department where I had been working for almost two

RIANGrotesque

During Spring 2011 I received my first type design offer. It came from Ilya Ruderman who was just appointed as RIA Novosti‘s art director, new position that had never existed before.
 Department where I had been working for almost two

Annual Calendar

Annual calendar is a small gift that RIA Novosti gives to its employees every year. For the next year, 2012, we made a 365-day calendar. There is a new expression for each day and a unique design of a number

Annual Calendar

Annual calendar is a small gift that RIA Novosti gives to its employees every year. For the next year, 2012, we made a 365-day calendar. There is a new expression for each day and a unique design of a number

RIA Photo Album 2011

Every year RIA Novosti publishes an album consisting of most striking, original and informative works by their photo correspondents and photographers. In December of 2011 me and Ekaterina Lupanova were given an opportunity to create our design concept. Though the

RIA Photo Album 2011

Every year RIA Novosti publishes an album consisting of most striking, original and informative works by their photo correspondents and photographers. In December of 2011 me and Ekaterina Lupanova were given an opportunity to create our design concept. Though the

William Typeface

William type family, graduation project at the Moscow State University of Printing (2010), is the revival of William Caslon’s typeface. For the first time the revival of Caslon with Cyrillics has typefaces for different optical sizes. Caption, RegularA and RegularB

William Typeface

William type family, graduation project at the Moscow State University of Printing (2010), is the revival of William Caslon’s typeface. For the first time the revival of Caslon with Cyrillics has typefaces for different optical sizes. Caption, RegularA and RegularB

The White Fairytale lettering

In June 2011 my friend Varvara Mikhailova, art director at JustDesign, asked me to make a lettering for the album that will be distributed out at the charity evening in Paris organised by Natalia Vodianova. My first idea was to

The White Fairytale lettering

In June 2011 my friend Varvara Mikhailova, art director at JustDesign, asked me to make a lettering for the album that will be distributed out at the charity evening in Paris organised by Natalia Vodianova. My first idea was to

Photo Exhibition Design

This project is probably one of my first big projects at RIA Novosti and we worked together with my colleagues and to do the whole set of printed materials from invitations to billboards. This exhibition was the last part of

Photo Exhibition Design

This project is probably one of my first big projects at RIA Novosti and we worked together with my colleagues and to do the whole set of printed materials from invitations to billboards. This exhibition was the last part of

Graduation Project | 2010

My final project at Moscow State University of Printing is dedicated to the work of William Caslon. It consists of 2 parts, 1st part — typeface, revival of Caslon with different optical sizes and (!) with support of Cyrillic. Second

Graduation Project | 2010

My final project at Moscow State University of Printing is dedicated to the work of William Caslon. It consists of 2 parts, 1st part — typeface, revival of Caslon with different optical sizes and (!) with support of Cyrillic. Second